Art by Laurie Lipton

The above video isn't actually creepy but it gives you an insight into the personality of the quirky and badass Laurie Lipton and you get to see her work on one of her signature giant intricate art pieces.

To give you a little background on Lipton before we delve into her fascinating art pieces, she was born in New York and began drawing when she was four years old.  Lipton has lived in numerous countries including Germany, France, and the UK, to name a few.  While traveling in Europe as a student, Lipton truly honed her style and technique, "building up tone with thousands of fine cross-hatching lines like an egg tempera painting."  Lipton rooted her art in the stylings of Van Eyck, Goya, and Rembrant, even after her teachers told her that figurative art went out in the Middle Ages and that she should express herself using more forms and shapes.

Lipton truly found her soul in black and white art.  Lipton is quoted as saying, "Black and white is the color of ancient photographs and old TV shows.  It is the color of ghosts, longing, time passing, memory, and madness.  Black and white ached.  I realized that it was perfect for the imagery in my work.”  And wow, it truly is some amazing and creepy imagery.  Check out some of my favorite pieces below.

The social commentary is evident in Lipton's work, whether it be the perils of fame, the frailty of age,  the sorrow of mass media consumption, or the distortion of celebrity.  In an interview with beinArt, Lipton is quoted as saying:

"JW: So much of your work is social commentary, on topics varying from overconsumption of materials and media to politics. Yet I’m not sure I can come up with any examples of your work that are squarely on the positive end of the spectrum: what we’re doing right as opposed to what we’re doing wrong. Is this a deliberate choice, and if not, what do you suppose accounts for this?

LL: I only draw about the things that concern me. When I was a child I used to sit alone for hours and draw about all the aspects of school that I hated, all the wrongs I felt, all the anger and frustration that was bottled up inside of me. It helped me to cope and to understand. Unsettling art, whether it is in books, music, or pictures, is an attempt to comprehend life’s trials and tribulations. Pretty, nice, nonconfrontational, “positive” art serves a purpose, too… but I don’t connect to it on any deep level and I don’t wish to waste my time doing it."

Did I mention she's a badass?

If I were to link every piece of Lipton's that is astounding, intricate, thought-provoking, creepy, and disturbing, this post would scroll for days.  Please check out the rest of her work at www.laurielipton.com  It is breathtaking.


PLUS -

DUDE!  You can buy this on a t-shirt!  The only catch is it's $64.00.  I can hear my wallet screaming like the baby whose head is about to be eaten.

- Amanda


Source #1
Source #2

Presumed Dead - Maria de Jesus Arroyo

It is a deep-seated fear of many to be buried alive or left for dead.  It is the driver of many an urban legend where one is presumed to be dead, placed in the morgue, and is later found out to have been alive.  One would think with the advances in today's medicine, the possiblity of mistaking a human for dead and leaving them in the morgue would be impossible, right?  Right?  Surely a highly-trained medical staff couldn't make this type of mistake.

Incorrect.

 

On July 26th, 2010, Maria de Jesus Arroyo was rushed into a Los Angeles hospital, a victim of cardiac arrest.  Doctors assessed the situation, noted that Arroyo was 80 years old, and essentially must've thought, "She's old.  Her heart gave out.  Pronounce it and take her the morgue."  It was found later that the hospital had inconsistent records of Arroyo's EKG, which would have determined if her heart was still beating at the time.  When the time came for the funeral home employees to prepare Arroyo's body for her funeral service, her body was found face down with cuts, scratches, and bruises all over as well as a broken nose.  Arroyo's injuries were so severe, they could not even be covered properly with funeral makeup.  Her family was instantly suspicious and contacted the hospital staff as well as hired an attorney to sue for mishandling of her body.

Turns out, when Arroyo arrived at the hospital, she was not dead but merely unconscious.  The cuts and bruises on her body were a result of Arroyo's frail and confused 80 year old body awakening inside a refrigeration chamber and trying desperately to free herself with as much stamina as she could muster.  Eventually, Arroyo's body gave out, resulting in her death due to hypothermia and asphyxiation.  The lawsuit of mishandling was immediately changed to, in not so many words, mistakenly declaring dead and 'freezing alive.'  Unfortunately, 17 months had passed from Arroyo's death to the time the trial finally took place and the one year statute of limitations had expired, leaving the trial judge to dismiss the family's lawsuit.  Thankfully, as late as April of 2014, nearly four years after Arroyo's death, the judge's decision was overturned and Arroyo's family was able to pursue further action against the hospital.

I once read someone describe hell as knowing you are dead and still being able to experience all five senses but being eternally locked inside of the darkness of your own mind, unable to move, unable to breathe, scream, or respond to anything.  You can see only shades of darkness but hear everything.  You can taste, smell, and feel, but not move the tiniest of muscles.  One can only imagine Mrs. Arroyo's final moments were somewhat of a hell before ascending to heaven, locked in a cold dark chamber, confused, disoriented, and ultimately, hopeless.  May she rest in peace.

Truly depressing, truly nightmare fuel.

-Amanda