Oculus - Movie Review

Oculus
2013
Directed by Mike Flanagan
Spoiler Free!

Whoa, wait, what?  A deeply-moving examination of childhood abuse and trauma masquerading as a half-wit Death Bed remake?  Not what I expected.

Oculus is a feature-length adaptation of a award-winning short released in 2005.  Sadly, I haven't seen the short, so cannot compare it in this review, but suffice to say it was compelling enough that studios tried for years to pick it up as a "found-footage" picture.  Flanagan refused these attempts, and finally agreed to make Oculus on the express condition that it NOT be found-footage.  During the scripting process, they expanded the original premise of the short by intertwining storylines of the past with the present.

But this isn't just a mish-mash of flashbacks.  Oculus tells the tale of a supernatural, EVIL mirror that has the power to warp reality around it.  It kills houseplants, absorbs dogs, and causes intensely realistic hallucinations, driving its human victims to their deaths!  As the movie unwinds, the boundaries between memory and illusion become increasingly blurred until they rip apart altogether.

The story goes that a brother and sister have finally returned to their childhood home: a house of horrors where both their parents died.  Tim has recently been released from a mental institution.  Kaylie has made her way past the trauma on her own, landing a job as an antiques dealer.  Kaylie convinces Tim back to the house because she's located the EVIL mirror that she blames for her parents' descent into insanity and their deaths.  Kaylie intends to document the mirror's powers, and then destroy it.

Tim is skeptical, until strange things begin to happen.  And as we are led down the twisting path of the last innocent days of Kaylie and Tim's childhood, we begin to see why Tim needed to be in an institution, and why Kaylie is so very... intense.

Of course there are ghosts.  Booooooo.  But I'll explain why this is a boo in a bit.

Full disclosure.

Firstly, I'd like to talk about my personal bias.  For example, how much did Joanna relate to Kaylie on a scale of 1-5?  Oh...about AN 8.  I sometimes tell my friends that my husband has done a lot to mellow me out, but they always giggle.  If only they knew how close I might have come to setting up an elaborate system of timers and a death contraption to kill the objects of my obsessions....

Further, as an individual who suffers frequently from severe nightmares, hallucinations, and hideous intrusive thoughts, it was really awesome to have a movie I could point at and exclaim "Look!  See when she bites that lightbulb!  It's not real, but it might as well be.  That's what it's like!  That's why X bothers me so much..."

Anyways, I really liked and identified with Kaylie.  She's a great character because her intelligence, resourcefulness, and determination are not undercut by her mental frailty.  Rather, her unbalanced mind renders her complex and flawed in a way that is empathy-inducing.  A way that would only make her look foolish to the most callous and under-developed adolescent.

Tim is the same way.  His skepticism is level-headed yet born out of a deep sense of self-preservation.  As such, Oculus accomplishes something to be pleased about: characters that are flawed and fearful for a good reason, not some loaded-in stupidity that's requisite for the genre tropes and cliches to go off.  Their childhood was deeply traumatic, and that's bound to make people messed up.  Thus, by actually giving us characters instead of cardboard dolls, the audience is able to empathize and relate to them.  Then, the trouble they get into is believable.  And then, Boom:  Horror that works.  Crazy, huh?

Watch out: we're about to dive deep.

This gets us to the heart of Oculus: how to cope with trauma.  Frequently in the beginning of the movie, Tim admonishes Kaylie for believing that the mirror is EVIL.  He claims that this is just an elaborate delusion she's constructed to cope with the inconceivable horrors of their past.  Memories are unreliable and fluid, and mysteries muddied by time can be easily explained.  The dog had Parvo, dad was just having an affair, etc. etc.

We see how stubborn Kaylie is in response.  How doggedly she chases an explanation that will make her mom and dad and brother Good People, people who were Not Responsible.  She's nestled deep into her obsessive insanity because believing in an EVIL MIRROR is easier and better than believing in the mental illness and abusiveness of her parents.  It's easier than facing the fact that her brother became a killer at 10 years old.

These threads: the unreliability of memory and the rationalizations we weave to cope with the unspeakable, are then mixed into an even nastier snarl with PTSD-type flashbacks and triggerings.  Time may have allowed Kaylie the ability to function in the world, but as the movie goes on, a very true thing becomes patently clear: somewhere on the inside there is still a terrified, frustrated, overwhelmed young girl.  There's a part of Kaylie that will always be that girl, fighting not to be afraid of the people she ought to trust most.  The mirror merely brings that piece to the surface.  And then when we consider how identity over time is not so linear and solid as we like to believe, and how our conceptions about our memories shape who we are, and you get quite the tangled web.

Speaking of tangled webs, Oculus accomplishes a somewhat impressive feat by keeping its shit straight.  I'm sure there are plenty of loopholes and details that people might point out as being flaws (while missing the point that flaws in recollection are exactly what the movie is ABOUT), but all things considered, this movie does an amazing job of minding its p's and q's.  Transitioning cleanly between the present, the actual past, hallucinations in the present, memories, and hallucinations designed to look like memories, Flanagan and his team pulled off a plot-line circuitous enough to make Christopher Nolan proud.

My gum disease is sooooooo spooooooopy!  Be Spooped!

On to the Bad Parts: those useless spoopy ghosts.

No doubt about it, Oculus was made for a general audience.  It pays its dues very diligently to the teenage cash crowd who love nothing more than to decry a horror movie for "Not being a real horror movie, just a psychological drama!  Not spoopy enough. 1 of 10, would not spoop. Super laaaame."  By bending over backwards to establish bullshit "rules" of how the mirror behaves and shoving ghosts down our throats, Oculus makes damn sure that 19-year-olds can't complain on Amazon that it's "totz not real horror".

Sadly, though, because it works so hard to make the EVIL MIRROR real, and the SPOOPY GHOSTS real, it completely undermines what is truly horrifying and resonant about the film.  What is more disturbing than not being able to trust your own mind?  Ladies with cataracts and bad teeth?  I mean, if we have a movie with two deeply scarred young people, returning to the location where all their horrors happen, it's bound to trigger all sorts of things inside them, resulting in a mind-breaking descent into madness.  To insist on the device of a haunted mirror is tiresome and juvenile.

And... I'm not even going to go into how predictable and useless the ending is.  Ugh.

However, I don't particularly blame the film-makers for this as much as I blame the market.  A lot of horror is unbelievably terrible these days because it's what sells.  Honestly, I'm impressed that Oculus even got made, and was popular enough to get, what, two sequels picked up?  So, I understand why they shoe-horned stupid ghosts in, I just whole-heartedly believe it would have been a magnificent movie without them.  The kind of movie that could be like a little baby sister to The Shining.

Speaking of The Shining, though, I'd also like to point out that the way Oculus is made leaves a little to be desired.  While the film-making was clean and the editing very polished (as stated above), I would have liked a bit more in the way of directorial and aesthetic flair.  The movie is very competently shot, and a portion of me wants to argue that any more visual stylization would distract from the plot, but... there's a but.  Atmosphere is frequently built via literal darkness more than shot-framing, and the palette of color and texture could have been more vivid for my tastes (this is a movie about insanity, afterall- we can use shades other than white, bright red, dusty ochre, and black).  As a result, I often felt like Oculus was an extremely well-planned film shot by someone fresh out of school, who hasn't yet had a chance to develop their personal visual style.  I would love to see this redone, sans the conceit of the mirror being actually EVIL, and with a bit more verve.  I think what I want is The Shining.

In short, Oculus definitely has its problems.  It's not a movie that knocks it out of the park.  But, it's got a lot of good stuff hidden away inside its shell.  In other words, Oculus understands the jungle it's in, and has spent a lot of time camouflaging itself as a SuperSpoopyGhostMovie, so that it can continue to feed and lay its eggs in peace.  This makes me happy in a strange way.  Instead of disappointment, I see something hopeful.  That there are people out there capable of making good, compelling, useful horror, even if they have to frost it with dumbness for now.

-Joanna

Come Back to Me - Movie Review

Come Back to Me

Released 2014

Directed by Paul Leyden

Slight plot spoilers but NO ENDING SPOILERS

Hold the phone, alert the presses, a pig has grown wings and just flew past my head, I found a recent horror movie that I LIKE, I really like!! In fact - I watched Come Back to Me on a Friday night while my husband was out and when he got back I told him about it and we watched it together Saturday morning and HE liked it as well! (Normally we rip movies to shreds when we watch them together, haha.)  This means, I watched this movie twice within a 24 hour time period and perhaps I have a fever but I'd actually watch it a third time.

Now granted, before I get too carried away, this isn't an Academy Award worthy picture, folks.  In fact, there's nothing too special or over the top about it.  It isn't exorbitantly freaky or disturbing or groundbreaking.  It's a good 'ol fashioned tale of a lead female with anxiety stalked by the creeper next door with requisite long hair and smelly house.  But it gets deeper and there's a twist at the end that is epic and I'm not gonna tell you what it is for once!  However, all I will say is this, if you're a fan of happy endings, well, you're SOL on this one.

Our story opens with a teenage boy, Dale, sitting on the couch holding his pet rabbit and hearing his mom get murdered by his stepfather.  Or so we are led to believe...

 

Flash forward about ten years and we meet our main character, Sarah, a late 20-something blonde generic cute girl, married to Josh, wanting to have a baby, writing her thesis on the effects of porn on relationships.  Josh and Sarah notice Dale moving in across the street and bring him a plate of Rainbridge Farm cookies, which Dale creepily asks if they're homemade and then seems pissed off that they're not but accepts them anyway.  We later see Dale working in the grocery store and helping Sarah load her groceries in her car, being as friendly as he possibly can while still looking and acting like a major creepo.  

[Oh yeah and there are about five different scenarios in this movie where Dale eats cookies like a creep, all fast and maniacal, and that alone is worth the price of admission for the sheer WTF level of it all.]

We learn that Sarah had recently been in a bad car accident and had head trauma, resulting in insane night terrors where she sees Josh get killed, finds blood on her sweatshirt, wakes up in different rooms in the house, wakes up naked and smelling cleaning products, and all other varieties of strange scenarios.  Her very pregnant friend and therapist, Leslie, tries to help Sarah through all of her issues while Dale lurks around every corner saying hi to Sarah every chance he can get.

 

Eventually, Sarah starts to get suspicious of Dale and sneaks into his house one day after he leaves for work.  She finds an entire cabinet full of cookies and a box upstairs of keys.  Turns out, Dale made an impression of Sarah's key the same day he loaded the groceries into her car and has been sneaking into her house every night.  But what has he been doing?  Suddenly maybe the night terrors aren't nightmares at all, but reality.  We also learn that Sarah becomes pregnant but Josh shoots blanks, thus causing a giant rift in their marraige as he thinks she has been cheating on him and moves out to his buddy's house.

After months of frustration and fear she is losing her mind, Sarah sets up a smoke detector camera in her bedroom to get to the bottom of what exactly is happening during these night terrors/blackouts.  What she finds is alarming.  Dale has been sneaking into her house every night, tying her up, dancing with her in his arms, eating cookies, raping her, then slitting her throat.  Yes, you read that right.  Dale has been killing Sarah every night, BUT after cleaning up all the blood, before he leaves the room he breathes life back into her and all her wounds are healed yet she remembers nothing.

Turns out all those years ago, Dale's mom didn't actually die because that night Dale discovered his power and brought his mom back to life.  He then went out of control with it and began killing girls and animals all around his neighborhood and bringing them back to life, slowly driving his mother to insanity.  She hung herself, slit her wrists, and tried all other methods to die, but Dale would keep bringing her back to life.  Finally, Dale's mother set herself on fire in front of the police and was sent off to the insane asylum in order to get away from Dale.  Sarah goes to visit her and we learn Dale's back story and why he is the way he is today, including the fact that he is forever stuck in a preteen's mentality and when he first discovered his power, before he would bring people back to life, he would demand his mother make him homemade cookies with milk.

 

Our story comes to a grand conclusion when Sarah returns home prepared to shoot Dale, but finds he has tied up Josh and now their lives are in danger.  Sarah must come up with a plan to get Dale out of their lives for good and let's just say it begins with a cookie date over a wine glass full of milk and ends with, well...I want so badly to spoil the last ten minutes of the movie because it gets EPIC but I will not because I feel this one is much more fun when you don't know what's coming.  I'm also leaving out a couple of key scenes for brevity's sake, but let's just say they involve bunnies and babies.

 

Now, I learned after watching this that Come Back to Me is based on a novel, "The Ressurectionist" by Wrath James White, this BAMF right here:

White is a former World Class Heavyweight Kickboxer, distance runner, performance arist, and former street brawler.  Proof that you can't judge a book by its cover or an author by his snazzy suit and tie.

Once again, I would definitely give Come Back to Me a high approval rating.  Of course it has its cheesy moments and the lead actress is sometimes slightly insufferable with her over the top gasps and facial expressions and shrieking, but I can overlook this because of how well the other actors fit their roles and embody their characters and how this is one of those films where you know something is not quite right but you can't exactly figure out what's happening until it all just smacks you in the face.  Dale is a complex character who does heinous things but you realize deep down inside he's an emotionally-stunted momma's boy with a power he didn't ask for and really has no idea what to do with and, man, he just really likes cookies and milk.

Come Back to Me will make you think twice about whether some of your nightmares are a little more real than you'd like to believe and also make you side-eye that one neighbor who always seems a little too interested in where you're going or what you're doing.  And, hey, who doesn't love a horror movie that leaves you with a lingering sense of paranoia, am I right?  Anyone...? 

- Amanda